AUBE — the prompts.

The palette wasn't picked at random: it was sampled off the visuals already produced. The order is what matters — you build the campaign first, then you pull the brand board out of it, never the other way round. The board is then generated in one go, with four of those visuals as reference: the model redraws nothing, it composes.

Design a single BRAND IDENTITY BOARD for the fictional brand AUBE, presented as one flat designed page seen perfectly straight on, filling the whole frame. This is a graphic design layout, NOT a photograph of a physical board — no desk, no hands, no perspective.

USE THE FOUR ATTACHED PHOTOGRAPHS AS THE ACTUAL IMAGE TILES OF THE BOARD. Place them unmodified inside clean rectangular frames: image 1 as the large hero tile, images 2, 3 and 4 as supporting tiles. Do not redraw them and do not replace them with other pictures — crop them only if the layout needs it.

LAYOUT — a strict editorial grid with generous margins on a flat neutral background from the palette:
· top left, the wordmark AUBE very large, set in a precise modern sans for the wordmark and a condensed sans for captions
· under it, the descriptor 18CT DROP EARRINGS in small letter-spaced caps
· the four photographs as a clean asymmetric grid, one large and three smaller
· a horizontal PALETTE row of five solid colour chips, each with its name and hex code in small caps beneath: SABLE CLAIR #D7C6AF, ONYX #070505, BRONZE #664B34, DORÉ #A27859, IVOIRE #F6E9D7
· a TYPOGRAPHY block showing A B C D E F G and 0 1 2 3 4 5 in the brand typeface, with the type names labelled
· small section labels in tiny letter-spaced caps: LOGOTYPE, PALETTE, TYPOGRAPHY, IMAGERY

MOOD — luminous, precious, quiet. Every colour comes from the palette above and from the photographs. Spell every word correctly. Crisp vector-clean typography, high resolution, professional brand guidelines aesthetic. No watermark, no lorem ipsum, no extra logos.

Design a single BRAND IDENTITY BOARD for the brand [BRAND NAME], presented as one flat designed page seen perfectly straight on, filling the whole frame. This is a graphic design layout, NOT a photograph of a physical board — no desk, no hands, no perspective.

USE THE FOUR ATTACHED PHOTOGRAPHS AS THE ACTUAL IMAGE TILES OF THE BOARD. Place them unmodified inside clean rectangular frames: image 1 as the large hero tile, images 2, 3 and 4 as supporting tiles. Do not redraw them and do not replace them with other pictures — crop them only if the layout needs it.

LAYOUT — a strict editorial grid with generous margins on a flat neutral background from the palette:
· top left, the wordmark [BRAND NAME] very large, set in [TYPEFACE FOR THE WORDMARK] and [TYPEFACE FOR THE CAPTIONS]
· under it, the descriptor [PRODUCT DESCRIPTOR] in small letter-spaced caps
· the four photographs as a clean asymmetric grid, one large and three smaller
· a horizontal PALETTE row of five solid colour chips, each with its name and hex code in small caps beneath: [COLOUR 1 #HEX], [COLOUR 2 #HEX], [COLOUR 3 #HEX], [COLOUR 4 #HEX], [COLOUR 5 #HEX]
· a TYPOGRAPHY block showing A B C D E F G and 0 1 2 3 4 5 in the brand typeface, with the type names labelled
· small section labels in tiny letter-spaced caps: LOGOTYPE, PALETTE, TYPOGRAPHY, IMAGERY

MOOD — [THREE ADJECTIVES THAT DEFINE THE BRAND]. Every colour comes from the palette above and from the photographs. Spell every word correctly. Crisp vector-clean typography, high resolution, professional brand guidelines aesthetic. No watermark, no lorem ipsum, no extra logos.

The starting point of the whole campaign: the pair, generated alone on a neutral background. It's what you then pass in as reference in every visual — the set changes, the piece doesn't move. In jewellery the difficulty isn't the shape, it's the reflection: the whole lighting block is there only to write a single thread of light down the drop. Without it, the gold comes out grey.

Ultra high-end commercial packshot of a pair of drop earrings, hung side by side and perfectly aligned, centred, on a seamless warm ivory backdrop with a soft graduated falloff. Each earring is a single sculptural teardrop in polished 18-carat yellow gold, hollow and softly twisted along its length so the surface folds once and catches the light differently on each face, tapering to a fine point at the bottom and widening at the top where it meets a slim gold hook. Just below the hook sits one small baroque freshwater pearl with a natural irregular shape and a warm iridescent lustre. The gold is mirror-polished, with no engraving and no stones. Studio lighting: one large softbox behind and above to run a long unbroken highlight down the outer curve of each drop, a tight rim light on each inner edge, a soft warm bounce underneath so the gold never goes black, a faint caustic glow on the surface below.

Photorealistic, 8K, macro-level detail, fine jewellery advertising aesthetic, immaculate reflections. No text anywhere, no watermark, no hands.

Ultra high-end commercial packshot of [THE PRODUCT AND HOW MANY], [HOW THEY ARE PRESENTED AND ALIGNED], centred, on a seamless [BACKGROUND COLOUR] backdrop with a soft graduated falloff. Each [PRODUCT] is [THE MAIN FORM IN ONE SENTENCE] in [MATERIAL 1 + ITS FINISH], [WHAT THE FORM DOES ALONG ITS LENGTH] so the surface [HOW IT CATCHES THE LIGHT DIFFERENTLY ON EACH FACE], tapering to [THE END DETAIL] and widening at the top where it meets [THE FIXING PART]. Just below [THE FIXING PART] sits [MATERIAL 2 + ITS IRREGULARITY AND ITS LUSTRE]. The [MATERIAL 1] is [ITS EXACT FINISH], with no engraving and no stones. Studio lighting: one large softbox behind and above to run [THE SINGLE HIGHLIGHT THAT MUST TRAVEL, AND WHERE], a tight rim light on [THE EDGE THAT MUST READ], a soft warm bounce underneath so the [MATERIAL 1] never goes black, a faint caustic glow on the surface below.

Photorealistic, 8K, macro-level detail, fine jewellery advertising aesthetic, immaculate reflections. No text anywhere, no watermark, no hands.

Jewellery has no scale until it's worn. The strict profile and the pulled-back hair aren't an aesthetic choice: they clear the jawline so the whole drop reads. Bare wall behind — nothing may compete with the reflection.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — a close profile portrait of a woman in her thirties with her hair pulled back, one earring catching a hard low sun against her jaw, bare skin, a plain warm plaster wall behind. 85mm, hard directional light, shallow depth of field, editorial.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, high-end fine jewellery retouching with flawless polished gold speculars and razor-sharp pearl lustre, ultra-high-resolution 4K product photography with a premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — a close profile portrait of [THE PERSON: age and hair, worn so the product is not hidden], [THE PRODUCT] catching [THE HARD LIGHT SOURCE] against [THE PART OF THE BODY IT SITS AGAINST], bare skin, a plain [WALL FINISH AND COLOUR] behind. 85mm, hard directional light, shallow depth of field, editorial.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with flawless [MATERIAL 1] speculars and razor-sharp [MATERIAL 2] detail, ultra-high-resolution 4K product photography with a premium editorial finish.

The shot that sells the making. You don't frame the whole piece, you frame the exact place where the surface folds: that's where the metal goes from blown-out white to a warm shadow. That tipping point is what separates polished gold from gold the model has painted.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — an extreme macro on the twist of one gold drop where the surface folds: the polished metal running from a burning highlight into deep warm shadow, the baroque pearl soft and iridescent just above. 100mm macro, ultra shallow depth of field, dark background.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, high-end fine jewellery retouching with flawless polished gold speculars and razor-sharp pearl lustre, ultra-high-resolution 4K product photography with a premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — an extreme macro on [THE EXACT POINT WHERE THE FORM BREAKS OR FOLDS]: the [MATERIAL 1] running from a burning highlight into deep warm shadow, [MATERIAL 2] soft and [ITS OPTICAL QUALITY] just above. 100mm macro, ultra shallow depth of field, dark background.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with flawless [MATERIAL 1] speculars and razor-sharp [MATERIAL 2] detail, ultra-high-resolution 4K product photography with a premium editorial finish.

The silk isn't there to look pretty: it throws light back into the piece from underneath, otherwise the gold falls into black. One drop visible, one half hidden — a symmetrical object laid out symmetrically gives you a dead image.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the pair lying on a crumpled bolt of raw ivory silk, one drop resting across a fold and the other half hidden, one warm lamp raking low from the left. 85mm, editorial still life, deep shadow.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, high-end fine jewellery retouching with flawless polished gold speculars and razor-sharp pearl lustre, ultra-high-resolution 4K product photography with a premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the pair lying on [A FABRIC THAT BOUNCES LIGHT BACK, CRUMPLED], one [PRODUCT] resting across a fold and the other half hidden, one warm lamp raking low from the left. 85mm, editorial still life, deep shadow.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with flawless [MATERIAL 1] speculars and razor-sharp [MATERIAL 2] detail, ultra-high-resolution 4K product photography with a premium editorial finish.

The face is deliberately out of focus. You're not selling a model, you're selling a gesture the customer recognises — the morning one, two seconds before heading out. It's the shot that turns an object into a habit.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — a woman's hands lifting one earring toward her ear, caught mid-gesture, her face out of focus behind, warm window light from the right. 85mm, shallow depth of field, intimate.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, high-end fine jewellery retouching with flawless polished gold speculars and razor-sharp pearl lustre, ultra-high-resolution 4K product photography with a premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — [WHOSE HANDS] [THE SINGLE GESTURE, CAUGHT MID-MOVEMENT], her face out of focus behind, warm window light from the right. 85mm, shallow depth of field, intimate.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with flawless [MATERIAL 1] speculars and razor-sharp [MATERIAL 2] detail, ultra-high-resolution 4K product photography with a premium editorial finish.

The mirror isn't a prop: it gives you a second face of the piece in the same image, which no single angle allows. An object with two different faces gets photographed twice at once.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the pair resting on the marble top of a dressing table beside a small antique hand mirror, the mirror throwing a second reflection of one drop, soft morning light. 50mm, natural light, warm neutrals.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, high-end fine jewellery retouching with flawless polished gold speculars and razor-sharp pearl lustre, ultra-high-resolution 4K product photography with a premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the pair resting on [A HARD SURFACE AND ITS MATERIAL] of a [PIECE OF FURNITURE] beside [A REFLECTIVE OBJECT], the [REFLECTIVE OBJECT] throwing a second reflection of one [PRODUCT], soft morning light. 50mm, natural light, warm neutrals.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with flawless [MATERIAL 1] speculars and razor-sharp [MATERIAL 2] detail, ultra-high-resolution 4K product photography with a premium editorial finish.

Everything is silhouette except two things: the gold that burns and the pearl that turns translucent. This shot exists for one thing only — holding up as a thumbnail on an Instagram grid, where a detailed still life becomes unreadable.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the pair hung against a low setting sun, the gold burning white where the light strikes the twist and the pearls glowing translucent, everything else in silhouette. 135mm, heavy backlight, lens flare.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, high-end fine jewellery retouching with flawless polished gold speculars and razor-sharp pearl lustre, ultra-high-resolution 4K product photography with a premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — the pair [HOW THEY ARE HELD] against [A HARD BACKLIGHT SOURCE], the [MATERIAL 1] burning white where the light strikes [THE FORM DETAIL] and the [MATERIAL 2] glowing translucent, everything else in silhouette. 135mm, heavy backlight, lens flare.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with flawless [MATERIAL 1] speculars and razor-sharp [MATERIAL 2] detail, ultra-high-resolution 4K product photography with a premium editorial finish.

A drop that doesn't move is just flat jewellery. The slight motion blur on the drop shows the weight of the piece without having to write a single gram. It's also the only image in the series that gives the product a social context.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — a woman turning her head sharply at an evening event, one earring swinging out from her neck with a touch of motion blur, warm out of focus lights behind. 85mm, low warm light, shallow depth of field.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, high-end fine jewellery retouching with flawless polished gold speculars and razor-sharp pearl lustre, ultra-high-resolution 4K product photography with a premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — [THE PERSON] [THE SHARP MOVEMENT THEY MAKE] at [A SOCIAL SETTING], one [PRODUCT] [HOW IT REACTS TO THAT MOVEMENT] with a touch of motion blur, warm out of focus lights behind. 85mm, low warm light, shallow depth of field.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with flawless [MATERIAL 1] speculars and razor-sharp [MATERIAL 2] detail, ultra-high-resolution 4K product photography with a premium editorial finish.

The shot that closes the series. The suede isn't a background, it's a material that gives way: the drops sink into the velvet, which proves they have weight. Overhead, symmetry, soft light — it also serves as the packaging photo.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — a close overhead of the pair lying in an open ivory suede jewellery case, the drops sunk slightly into the nap of the suede, one soft top light and a deep shadow inside the lid. 100mm macro, soft even light.

Capture using a Phase One XF IQ4 150MP medium-format camera with a Schneider Kreuznach 120mm LS Macro Blue Ring lens, ISO 50, f/11, focus stacking, HDR studio lighting, 16-bit colour workflow, high-end fine jewellery retouching with flawless polished gold speculars and razor-sharp pearl lustre, ultra-high-resolution 4K product photography with a premium editorial finish.

Place the product from the reference image into the scene below EXACTLY AS-IS. Its shape, its colours, its materials, its finish and every letter of its text must be 100% identical to the reference — do not recreate it, do not redesign it, do not restyle its typography, and never add any word that is not already on it. Only integrate it naturally into the scene, at true real-world scale, with lighting and reflections that match the scene.

SCENE — a close overhead of the pair lying in [THE PACKAGING, OPEN, WITH ITS MATERIAL AND COLOUR], the [PRODUCT]s sunk slightly into [THE TEXTURE OF THAT MATERIAL], one soft top light and a deep shadow inside the lid. 100mm macro, soft even light.

Capture using a [CAMERA BODY] with a [LENS], ISO [ISO], f/[APERTURE], focus stacking, [LIGHTING SETUP], 16-bit colour workflow, [RETOUCHING STYLE] retouching with flawless [MATERIAL 1] speculars and razor-sharp [MATERIAL 2] detail, ultra-high-resolution 4K product photography with a premium editorial finish.

Eleven shots in ten seconds, no people, no location. The pair floats and turns, only the background changes at each cut — always inside the same palette. It's the most profitable format in the whole course: no casting, no set, and it works on any product.

The PHYSICS block says each earring weighs a few grams. Without that line, the model moves jewellery like a block of metal.

SCENE CONTEXT
A 10-second vertical kinetic product spot for AUBE, a pair of gold drop earrings. No people, no location. A single ivory and gold colour world, the pair of earrings levitating and slowly rotating in every shot, roughly one second per shot, the backdrop changing on every cut inside the ivory and gold palette.

ACTIVE REFERENCES
@image1 - the AUBE pair of earrings. A pair of hollow twisted polished yellow-gold teardrops on slim gold hooks, each with a single baroque freshwater pearl below the hook. 100% matches the reference.

LOCATION MAP
Seamless studio colour fields only, no horizon line, no floor until the final beat. Each shot uses one backdrop from the ivory and gold palette: warm ivory gradient, gold bokeh, crossing warm light bars, drifting fine dust, or a deep espresso field.

FIRST FRAME / BLOCKING
Frame opens in extreme macro on the polished gold where the drop twists, one highlight running along the fold, a warm gold glow behind it.

FORMAT MODE
Timed multishot, eleven shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, macro-capable rendering.

CAMERA
0.0-0.8s - 12 degree FOV. Accelerating macro creep across the mirror-polished gold surface and its single travelling highlight.
0.8s HARD CUT
0.8-1.6s - 18 degree FOV. Fast 90 degree orbit around the pair of earrings on a warm ivory gradient at 20 km/h.
1.6s SMASH CUT
1.6-2.4s - 12 degree FOV. High-speed macro, the two drops swinging past each other and crossing, motion blurring the gold.
2.4s HARD CUT
2.4-3.2s - 29 degree FOV. Push-in as a fall of ivory silk unfurls around the pair on gold bokeh.
3.2s WHIP CUT
3.2-4.0s - 18 degree FOV. Fast arc past the pair of earrings between crossing warm gold light bars.
4.0s WHIP CUT
4.0-4.8s - 12 degree FOV. Whip into extreme macro on the baroque pearl, its irregular surface and iridescent lustre filling frame.
4.8s SMASH CUT
4.8-5.4s - 107 degree FOV. Whip pan through drifting fine dust, the pair of earrings flashing past.
5.4s HARD CUT
5.4-6.2s - 12 degree FOV. Locked macro, the slim gold hook curving out of frame, razor sharp.
6.2s SMASH CUT
6.2-7.0s - 18 degree FOV. Fast tilt across the pair of earrings, the twisted gold drop filling frame.
7.0s MATCH CUT
7.0-7.8s - 29 degree FOV. The gold of the drop matches into a gold light bar, camera arcing at 30 km/h across a deep espresso void.
7.8s HARD CUT
7.8-10.0s - 47 degree FOV. The pair of earrings settles into its final position on a dark marble reflective floor, camera pushing in steadily.

ACTION
Polished gold fills frame. The camera orbits the pair. The drops swing and cross. Silk unfurls around them. The pearl fills frame. The hook fills frame. They land on dark marble.

PHYSICS
Each earring is only a few grams and swings with a true light pendulum motion. Silk unfurls with real fabric weight.

LIGHTING
Hard specular key from camera-left at 3200K raking across the pair of earrings, a tight rim light on the right edge, warm gold practicals in the background. White balance fixed at 3200K. Atmospheric haze at 14%.

COLOR GRADE
60:30:10 - warm ivory dominant, deep espresso secondary, polished gold accent.

AUDIO
Non-diegetic kinetic design: sharp whooshes on each cut, a fine metallic chime, silk moving, a soft pearl tick, a low sub hit on the final landing.

STYLE
Photorealistic commercial cinematography, 24fps smooth motion, fine film grain, 8K detail, high-energy kinetic pacing.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The earrings keep their hollow twisted polished gold teardrop, slim hooks and single baroque pearl in every shot. The set contains only seamless colour fields and the reflective floor. Every shot contains visible camera movement.

SCENE CONTEXT
A 10-second vertical kinetic product spot for [BRAND NAME], [PRODUCT TYPE]. No people, no location. A single [COLOUR 1] and [COLOUR 2] colour world, the [PRODUCT] levitating and slowly rotating in every shot, roughly one second per shot, the backdrop changing on every cut inside the [COLOUR 1] and [COLOUR 2] palette.

ACTIVE REFERENCES
@image1 - the [BRAND NAME] [PRODUCT]. [FULL PRODUCT DESCRIPTION — its form, its materials, its colours, every word written on it]. 100% matches the reference.

LOCATION MAP
Seamless studio colour fields only, no horizon line, no floor until the final beat. Each shot uses one backdrop from the [COLOUR 1] and [COLOUR 2] palette: [BACKDROP 1], [BACKDROP 2], crossing [WARM OR COLD] light bars, drifting [THE PARTICLE IN THE AIR], or a deep [DARK COLOUR] field.

FIRST FRAME / BLOCKING
Frame opens in extreme macro on [THE MOST TACTILE MATERIAL], [WHAT THE LIGHT DOES ON IT], a [COLOUR] glow behind it.

FORMAT MODE
Timed multishot, eleven shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, macro-capable rendering.

CAMERA
0.0-0.8s - 12 degree FOV. Accelerating macro creep across [THE MAIN MATERIAL AND WHAT TRAVELS ACROSS IT].
0.8s HARD CUT
0.8-1.6s - 18 degree FOV. Fast 90 degree orbit around the [PRODUCT] on a [BACKDROP 1] at 20 km/h.
1.6s SMASH CUT
1.6-2.4s - 12 degree FOV. High-speed macro, [WHAT THE TWO PARTS DO TO EACH OTHER AT SPEED], motion blurring the [MATERIAL 1].
2.4s HARD CUT
2.4-3.2s - 29 degree FOV. Push-in as [A FABRIC OR A MATERIAL THAT WRAPS] unfurls around the [PRODUCT] on [BACKDROP 2].
3.2s WHIP CUT
3.2-4.0s - 18 degree FOV. Fast arc past the [PRODUCT] between crossing [WARM OR COLD] light bars.
4.0s WHIP CUT
4.0-4.8s - 12 degree FOV. Whip into extreme macro on [MATERIAL 2], [ITS SURFACE AND ITS LUSTRE] filling frame.
4.8s SMASH CUT
4.8-5.4s - 107 degree FOV. Whip pan through drifting [THE PARTICLE IN THE AIR], the [PRODUCT] flashing past.
5.4s HARD CUT
5.4-6.2s - 12 degree FOV. Locked macro, [THE SMALLEST STRUCTURAL PART], razor sharp.
6.2s SMASH CUT
6.2-7.0s - 18 degree FOV. Fast tilt across the [PRODUCT], [THE MAIN FORM] filling frame.
7.0s MATCH CUT
7.0-7.8s - 29 degree FOV. [THE COLOUR OF THAT FORM] matches into a light bar of the same colour, camera arcing at 30 km/h across a deep [DARK COLOUR] void.
7.8s HARD CUT
7.8-10.0s - 47 degree FOV. The [PRODUCT] settles into its final position on a [REFLECTIVE FLOOR MATERIAL], camera pushing in steadily.

ACTION
[THE SEVEN BEATS, ONE SHORT SENTENCE EACH, IN ORDER].

PHYSICS
[THE REAL WEIGHT OF THE PRODUCT AND HOW IT MOVES BECAUSE OF IT]. [HOW EACH OTHER MATERIAL IN THE FRAME BEHAVES].

LIGHTING
Hard specular key from camera-left at [COLOUR TEMPERATURE] raking across the [PRODUCT], a tight rim light on the right edge, [COLOUR] practicals in the background. White balance fixed at [THE SAME COLOUR TEMPERATURE]. Atmospheric haze at [PERCENTAGE].

COLOR GRADE
60:30:10 - [DOMINANT COLOUR] dominant, [SECONDARY COLOUR] secondary, [ACCENT COLOUR] accent.

AUDIO
Non-diegetic kinetic design: sharp whooshes on each cut, [THE THREE PHYSICAL SOUNDS THE PRODUCT AND ITS MATERIALS MAKE], a low sub hit on the final landing.

STYLE
Photorealistic commercial cinematography, 24fps smooth motion, fine film grain, 8K detail, high-energy kinetic pacing.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The [PRODUCT] keeps [THE THREE OR FOUR FEATURES THAT MUST NEVER CHANGE] in every shot. The set contains only seamless colour fields and the reflective floor. Every shot contains visible camera movement.

The exact opposite of hyper motion: camera locked off, never handheld, four beats of two and a half seconds. One apartment, one woman, one golden hour. This is the one you sell for the most, because it looks like a real ad.

Note the last line: “ABSOLUTELY NO PACKSHOT”. Without it, the model always ends on the product against a white background — the reflex you have to forbid.

SCENE CONTEXT
A 10-second vertical lifestyle commercial for AUBE, a pair of gold drop earrings. Real people, real places, four shots, one cut every two and a half seconds.

ACTIVE REFERENCES
@image1 - the AUBE earrings. A pair of hollow twisted polished yellow-gold teardrops on slim gold hooks, each with a single baroque freshwater pearl below the hook. 100% matches the reference in every shot.

LOCATION MAP
The film moves through a Paris apartment at golden hour, a hallway mirror and a stairwell. No studio, no seamless backdrop, no colour field.

FIRST FRAME / BLOCKING
Opens tight on a dressing table: the pair lying on marble beside a hand mirror.

FORMAT MODE
Timed multishot, four shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, anamorphic-style shallow depth of field.

CAMERA
0.0-2.5s ESTABLISHING - 63 degree FOV. Slow push in at 2 km/h across the marble to the earrings, a woman's silhouette moving out of focus behind.
2.5s HARD CUT
2.5-5.0s PRODUCT IN USE - 47 degree FOV. Tight over-the-shoulder in the mirror as she hooks one earring into her ear, the gold catching the low sun.
5.0s HARD CUT
5.0-7.5s LIFESTYLE - 29 degree FOV. Slow arc around her at 6 km/h in the hallway as she turns her head and the drop swings out with motion blur.
7.5s HARD CUT
7.5-10.0s HERO - 63 degree FOV. She steps into a stairwell doorway and pauses, the low sun burning the gold white, camera pushing in on her profile.

ACTION
The pair lies on the marble. She puts one on. She turns her head. She pauses in the doorway.

PERFORMANCE
Composed and self-possessed, a small private half-smile, never posing at camera.

PHYSICS
The earrings are light and swing freely with real pendulum motion. The pearls catch a soft iridescence.

LIGHTING
Low golden-hour sun at 3000K raking through a tall window, deep warm shadows, one cool bounce from the mirror. Atmospheric haze at 12%.

COLOR GRADE
60:30:10 - warm plaster and shadow dominant, skin secondary, polished gold accent.

AUDIO
Room tone, a distant street, the tiny click of the hook, fabric moving. Sparse warm string bed from 5.0s.

STYLE
Photorealistic commercial cinematography, 24fps, fine film grain, 8K detail, warm naturalistic advertising look.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The earrings keep their hollow twisted gold teardrop shape, slim hooks and single baroque pearl in every shot. The people keep the same faces, hair and clothing across every cut. Every shot contains visible camera movement. ABSOLUTELY NO PACKSHOT: the earrings is never shown isolated on a studio backdrop and never appears without a person in the scene.

SCENE CONTEXT
A 10-second vertical lifestyle commercial for [BRAND NAME], [PRODUCT TYPE]. Real people, real places, four shots, one cut every two and a half seconds.

ACTIVE REFERENCES
@image1 - the [BRAND NAME] [PRODUCT]. [FULL PRODUCT DESCRIPTION]. 100% matches the reference in every shot.

LOCATION MAP
The film moves through [THE ONE OR TWO REAL PLACES WHERE THIS PRODUCT LIVES, AND THE TIME OF DAY]. No studio, no seamless backdrop, no colour field.

FIRST FRAME / BLOCKING
Opens tight on [THE FIRST THING WE SEE, BEFORE ANYONE MOVES].

FORMAT MODE
Timed multishot, four shots. Cuts only at the specified points, the camera does not cut on its own.

OPTICS
Physical cine lens, 180 degree shutter motion blur, anamorphic-style shallow depth of field.

CAMERA
0.0-2.5s ESTABLISHING - 63 degree FOV. [THE OPENING MOVE, ITS SPEED, AND WHAT IT REVEALS].
2.5s HARD CUT
2.5-5.0s PRODUCT IN USE - 47 degree FOV. [THE SINGLE GESTURE, SHOT TIGHT].
5.0s HARD CUT
5.0-7.5s LIFESTYLE - 29 degree FOV. [THE WIDER MOMENT, AND HOW THE CAMERA MOVES THROUGH IT].
7.5s HARD CUT
7.5-10.0s HERO - 63 degree FOV. [THE FINAL MOVE THAT LANDS ON THE PRODUCT].

ACTION
[THE FOUR BEATS, ONE SHORT SENTENCE EACH].

PERFORMANCE
[HOW THE PERSON BEHAVES], never posing at camera.

PHYSICS
[THE REAL WEIGHT AND THE REAL BEHAVIOUR OF THE PRODUCT AND ITS MATERIALS].

LIGHTING
[THE MAIN LIGHT SOURCE, WITH ITS COLOUR TEMPERATURE AND WHERE IT COMES FROM], [THE SHADOWS], [THE ONE BOUNCE OR FILL]. Atmospheric haze at [PERCENTAGE].

COLOR GRADE
60:30:10 - [DOMINANT COLOUR] dominant, [SECONDARY COLOUR] secondary, [ACCENT COLOUR] accent.

AUDIO
[THE FOUR OR FIVE REAL SOUNDS OF THE SCENE]. [WHAT MUSIC ENTERS AND WHEN].

STYLE
Photorealistic commercial cinematography, 24fps, fine film grain, 8K detail, warm naturalistic advertising look.

OUTPUT SETTINGS
9:16 vertical, total duration 10 seconds.

POSITIVE LOCKS
The [PRODUCT] keeps [THE FEATURES THAT MUST NEVER CHANGE] in every shot. The people keep the same faces, hair and clothing across every cut. Every shot contains visible camera movement. ABSOLUTELY NO PACKSHOT: the [PRODUCT] is never shown isolated on a studio backdrop and never appears without a person in the scene.

You never generate a UGC video in one go. You build this still image first, you approve it, and only then do you animate it. Getting the still wrong costs $0.20; getting the video wrong costs seven times more.

The whole prompt is working to kill the pretty: no background blur, no colour grade, no studio light, sensor noise, a botched frame, unretouched skin. It's the exact opposite of the eight visuals before it — and on jewellery it's the most violent contrast in the whole course.

Use the attached image as the exact product reference.

THIS IS A FRAME GRABBED FROM A PHONE VIDEO, not a photograph. Vertical phone video, the phone standing on a small tripod so both hands are free.

A woman in her thirties, hair pulled back off her face, bare shoulders, minimal makeup, caught mid-sentence with the mouth open on a word, eyes on the lens, not smiling and not posing.

SETTING — in a small lived-in bathroom with warm plaster walls, a crumpled towel on the rail, flat daylight from a window blown out to pure white behind her.

THE PRODUCT — She holds the pair of AUBE earrings up in both hands at chin height, turned so the twisted gold drops and the baroque pearls read clearly.

IMAGE QUALITY — raw front-camera video still: soft and not tack sharp, everything in focus, no bokeh, no colour grading, no studio light, visible sensor noise in the shadows, heavy phone HDR flattening the contrast, slightly blown-out highlights, compressed social-video look. Unretouched skin with real pores, real texture and a little shine. Slightly off-centre framing, the corner of a shelf intruding into the bottom of the frame.

PRODUCT LOCK — The earrings keep exactly the hollow twisted polished gold teardrop, the slim gold hook and the single baroque pearl of the reference. Spell every letter on it correctly. No other text in the frame, no watermark, no phone brand name.

The image is the bare video frame itself: no interface, no icons, no counters, no buttons, no progress bar, no timecode, no captions, no watermark.

Use the attached image as the exact product reference.

THIS IS A FRAME GRABBED FROM A PHONE VIDEO, not a photograph. Vertical phone video, [THE PHONE ON A SMALL TRIPOD SO BOTH HANDS ARE FREE, OR THE FRONT CAMERA HELD AT ARM'S LENGTH].

[THE PERSON: age, hair, plain unbranded clothing, how much makeup], caught mid-sentence with the mouth open on a word, eyes on the lens, not smiling and not posing.

SETTING — [A SMALL REAL ROOM WHERE THIS PRODUCT ACTUALLY LIVES], [ONE ORDINARY OBJECT VISIBLE BEHIND THEM], flat daylight from a window blown out to pure white behind her.

THE PRODUCT — [THE ONE THING THEY DO WITH IT AND AT WHAT HEIGHT], turned so [THE TWO OR THREE DETAILS THAT MUST READ] read clearly.

IMAGE QUALITY — raw front-camera video still: soft and not tack sharp, everything in focus, no bokeh, no colour grading, no studio light, visible sensor noise in the shadows, heavy phone HDR flattening the contrast, slightly blown-out highlights, compressed social-video look. Unretouched skin with real pores, real texture and a little shine. [THE FRAMING FLAW: an off-centre crop, the top of the head cut by the frame edge, or an object intruding at a corner].

PRODUCT LOCK — The [PRODUCT] keeps exactly [THE FEATURES AND EVERY WORD WRITTEN ON IT] of the reference. Spell every letter on it correctly. No other text in the frame, no watermark, no phone brand name.

The image is the bare video frame itself: no interface, no icons, no counters, no buttons, no progress bar, no timecode, no captions, no watermark.

The approved still becomes the first frame of the video. The phone stays on a tripod, both hands are free, one continuous take with no cut — and the person says exactly two lines: one at the start, one at the end. In between she says nothing, and it's written in black and white: that silence is what stops the model inventing dialogue.

The hair lock is there for one precise reason: hair is the first thing that starts mutating from one second to the next when you animate a face.

The person in this frame is filming a phone video. The phone is resting on a tripod so both hands stay free. They speak ONLY these two lines, each said ONCE and never repeated:
"I never wear gold because everything I buy turns my ears red."
"I have had these on for three days straight."
Between the two lines they say NOTHING at all — no extra words, no muttering, no repetition.

Beat 1 — they say the first line straight to the lens.
Beat 2 — they stay silent while she lifts one earring and hooks it into her ear.
Beat 3 — still silent, they look back into the lens.
Beat 4 — they say the second line straight to the lens.

They keep exactly the same hairstyle for the entire clip — the same shape, the same length, the same volume and the same way the hair is worn as in this frame, held the whole time — and only the strands that already fall around the face move when they move.

PRODUCT LOCK — The earrings keep exactly the hollow twisted polished gold teardrop, the slim gold hook and the single baroque pearl of the reference. It never changes shape, colour or text.

The camera is locked on the tripod and does not move. Flat indoor light, everything in focus, no bokeh, no colour grading, no camera move, no zoom. Close-mic phone audio, the voice slightly clipped, room tone underneath, no music. Raw phone footage, TikTok storytime energy. NO SUBTITLES, NO TEXT OR EMOJIS ON SCREEN.

The person in this frame is filming a phone video. [THE PHONE IS RESTING ON A TRIPOD SO BOTH HANDS STAY FREE, OR HELD IN ONE HAND AT ARM'S LENGTH]. They speak ONLY these two lines, each said ONCE and never repeated:
"[THE OBJECTION THE VIEWER ALREADY HAS IN MIND]"
"[WHAT THEY KEPT DOING WITH IT — never a slogan]"
Between the two lines they say NOTHING at all — no extra words, no muttering, no repetition.

Beat 1 — they say the first line straight to the lens.
Beat 2 — they stay silent while [THE SINGLE GESTURE THEY MAKE WITH THE PRODUCT].
Beat 3 — still silent, they look back into the lens.
Beat 4 — they say the second line straight to the lens.

They keep exactly the same hairstyle for the entire clip — the same shape, the same length, the same volume and the same way the hair is worn as in this frame, held the whole time — and only the strands that already fall around the face move when they move.

PRODUCT LOCK — The [PRODUCT] keeps exactly [THE FEATURES AND EVERY WORD WRITTEN ON IT] of the reference. It never changes shape, colour or text.

[THE CAMERA: locked on the tripod and not moving, or a small natural handheld drift]. Flat indoor light, everything in focus, no bokeh, no colour grading, no camera move, no zoom. Close-mic phone audio, the voice slightly clipped, room tone underneath, no music. Raw phone footage, TikTok storytime energy. NO SUBTITLES, NO TEXT OR EMOJIS ON SCREEN.